A French delegation consisting of Chris Marker, playwright and journalist Armand Gatti, philosopher Paul Ricœur, and sociologist René Dumont had the rare oppertunity to visit China in 1955, organized by l’Association des Amitiés franco-chinoises.
During this trip in 1955, Marker made his film Dimanche à Pekin. Other experiences from this trip were published in the essay La Chine, porte ouverte, consisting of three articles: Certitudes et incertitudes d’une révolution by Paul Ricœur; Prose pour Pékin by Armand Gatti; and Réforme agraire et collectivisation accélérée by René Dumont, published in the Januar 1956 issue Esprit.
For this issue, Chris Marker created a 12-page supplement pamphlet, titled Clair de Chine, presented as “a film in the guise of a greeting card” that takes an alternate approach to his visit to China. Clair de Chine, which was actually the original title of Dimanche à Pekin, includes photographs and texts by Marker that provide further perspectives on the film‘s themes.
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